Women in Hollywood's Dream Factory: Tales of Inequality, Abuse and Resistance
Forthcoming

I explore the impact of Anger’s work on the construction of an Old Hollywood mythos predicated upon the gore and glamour of women’s suffering. I model how to critically read Hollywood Babylon’s rhetorics of violence. Additionally, I consider as a response to Hollywood Babylon Karina Longworth’s podcast You Must Remember This (2014-present), a revisionist history that invites public (re)access to Hollywood history while providing tools for the critical interrogation of its gossip.

Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds
Forthcoming

This essay considers Lupino’s evocative Never Fear (1950) as a meditation not just on the polio epidemic and the fear it inspired in the public but also on the ways in which such a disease could disrupt, delay, and even paralyze the lives of working women, particularly women artists.

Comebacks: The Return of the Aging Film Star
Forthcoming

The commercial failures of The Comeback (variously known as Hollywood Horror House and Savage Intruder), do not negate its important status as Hopkins’ final feature film, one that self-consciously centralizes a sixty-seven-year-old Hopkins’ ability to perform the true-to-life role of an aged and reclusive actor.

'The Story of ‘Once Upon a Time’: A Celebration of 100 Years of Disney
Forthcoming

Blair’s concept art for Cinderella provides a clear case study for understanding her creative process, as well as her position as an artist worth celebrating.

We’re all Angelicamad here! To celebrate the history painter extraordinaire Angelica Kauffman, I discuss her take on one of antiquity’s juiciest art stories: Zeuxis’s attempt to paint the most beautiful woman of ancient Greek myth.

Alphaville: Journal of Film and Screen Media
July 2024

While this article contextualises Blair’s artistic development and her contributions to various Disney projects, I primarily interrogate how Blair’s career and legacy have been narrativised, particularly in the decades following her death, by Disney-sanctioned writers and for readers of all ages. This paper invites us to consider why Mary Blair, more than any other woman active at Disney during the mid-twentieth century, has achieved more fame and fan recognition since her death than she did in life. The answer, I argue, lies in how Blair is positioned in writing.

Critical Insights: Mary Shelley's Frankenstein: The Modern Prometheus
March 2024

A crash course on film adaptation and Universal horror written or high school and undergraduate students.

A Critical Companion to Julie Taymor
December 2023

This essay considers art and creativity as forces for healing and self-expression following moments of intense personal and physical trauma as reflected in Taymor’s film and in its reception post #MeToo.

Nursing Clio
December 2023

What the film and its dramatization of Kahlo’s pregnancy loss ultimately reveals is that we have made-- and continue to make-- Frida Kahlo’s body our business.

Senses of Cinema
November 2023

Not unlike her contemporary Marilyn Monroe, it sometimes seems like Elizabeth Taylor’s multifacetedness transcends the capabilities of life writing: how are we to reduce women so iconic, so visually ubiqitous, into words?

The Literary Encyclopedia
July 2023

I contributed two biographical essays to The Literary Encyclopedia in response to a call for entries on authors and illustrators of children's books. My entry on Disney concept artist and Little Golden Books illustrator Mary Blair is part of my ongoing scholarship on the artist. My entry on Greenaway reflects my interest in Victorian women artists and illustrators.

Refocus: The Films of William Wyler
March 2023

I discuss William Wyler’s approach to adapting the classic Victorian novel, including wht drew Wyler to Brontë’s fictional realm in the first place, as well as the generic consequences of this transnational film adaptation.

PopMatters
December 2022

What’s most striking about Lana Del Rey’s Paradise EP and its music videos are the ways they cement her transgressive and hallucinatory aesthetic.